Book Review: Firethorn
by R.J. Carter
Published: June 27, 2004
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Firethorn |
Sarah Micklem |
Fantasy |
Scribner |
$25.00 US $36.00 CAN |
For more information: Amazon Link |
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Epics.
I hate 'em.
There's nothing more boring than having to slog through hundreds of pages of some tome whose sole purpose is to make plain the author's ability to perform marathon descriptive passages of Olympic proportions. I personally think Lord of the Rings is an excellent trilogy of movies that hasn't yet been adequately adapted into print, and that Robert Jordan's secret motive is to land a spot in the Guiness Book of World Records for most trees killed in the name of publishing.
These days, with the success Mr. Tolkien has been--posthumously--enjoying, it seems everyone with a word processor felt the need to either pay homage or compete.
That having been said, there are always exceptions. Sarah Micklem being one.
Firethorn is the exotic name taken by a red-haired girl named Luck. A foundling, she was taken in by a family of blood as a servant, or drudge, and given her early name because of the color of her hair. But the Dame looked kindly upon her in time, and began to teach her about dyes and medicines--plant lore, and how they could be used to various ends.
When the Dame died, her nephew and his wife took over the estate and, after suffering abuse at his hands, Luck runs away into the Kingswood where she lived in exile for a year--a dangerous place not just because of the wolves, but because it was, in essence, the private property of the king. She nearly starves to death by the end of winter and, during the early days of spring, she takes some early berries off a firethorn bush, hunger muting the warnings she'd learned about the poisonous qualities the berries possess.
Luck dies. Or nearly dies, in a phantasmagoric experience that leaves her with a special kind of periphery vision. She takes the name Firethorn for herself and decides to return to the village.
During the equinox, or "Upside-Down" days (a ten day period much like Mardi Gras except without the moral restraints) when anything is allowed and nothing is sin, she is chased and taken by another member of the Blood, part of an army that has come to recruit for another war, to be fought in the coming winter. His name is Sire Galan, and spending just a Carnal Night with Firethorn is more than he has in mind:
He said my name twice, as if he liked it on his tongue, and turned my head toward him with his hand. "Come with me," he whispered.
I turned my face away, and tears came against my will, sliding down my cheek and into my ear. I'd heard what kind of woman followed a man to war: a sheath. A cataphract might share her with his armiger or lend her to a guest, and if he was not too particular, he might let his drudges have her now and then. If she didn't begin as a whore, she usually ended as one, wearing a sriped skirt and opening her legs for any man with coin until she was clapped out.
He went on whispering. "You can ride the chestnut mare. She's steady. I'll get another mule for the baggage."
"I won't be shared," I said.
"never. You shall be my own." He said this so fiercely I believed him.
The term sheath is perhaps the most blatant metaphor I've ever heard for a sex partner, and thus an appropriate one for both the setting of the tale and for the immediate image it emblazons on the mind of the reader. And Firethorn's uneasiness is nearly prophetic. The leader of the army, the First of the Crux (one of twelve houses of gods, with their own attributes and avatars), feels that a sheath would breed jealousy among the other men. And it quickly does.
"I know you've a honeypot hidden away; I'll stick my spoon in it yet," the armiger shouted after me.
I looked over my shoulder. "Mind the bees," I said. "They sting very fierce." I tried to turn it into a jest, but the armiger was glaring. I had not begun well, making an enemy so early in the morning.
I went around the fire to where Spiller was cooking bacon, and asked him in a low voice, "What is his name?"
"Sire Rodela dam Whoreson by Sowpricker of Crux, that's what I call him."
The bagboy snickered, said, "Sowpricker!" and jabbed the air with his spoon. Noggin's yellow teeth were crowded into his mouth, and now he showed too many of them. It was no mystery how he came by his name, for he looked as though he hadn't a thought of his own to slosh around in his wooden head.
"So what do you call the armiger to his face?" I said.
"Rodela dam Antlia by Musca. He's Sire Galan's cousin by bastardy--they have the same grandfather, but Sire Galan's father was bred on the wife, and his father on a Musca concubine. Although they do say Sire Rodela's mother is such a whore there's no telling who his father really is, and that makes him a bastard twice over, so say I. For sure, his blood is tainted with mud. I can always tell."
"Bacon, Spiller," Sire Rodela yelled.
Spiller tore off a piece of bread and put a slab of bacon on it. Then he turned his back on Sire Rodela and spat on it, winking at me. The spit looked like the foam of fat that sizzles from bacon, and the armiger was none the wiser. So we were at war long before we reached the battlefield.
Comparisons to Tolkien are to be expected. They're not fair, neither to Mr. Tolkien, who earned his reputation by right of longevity, nor to Ms. Micklem, who writes in a far more compelling voice. Many a writer of fantasy develops a world of mythology and history and then spends several chapters relating these events to the reader in order to establish the groundwork for the tale they still haven't told. But not Micklem. She throws the reader overboard into a fully-formed ocean of symbols and culture, and it's sink or swim. It's tempting to close the cover after merely seeing the diagram of the twelve gods and godesses before the story begins; to sink. But if you dare to swim, you'll find that Micklem has made her ocean incredibly bouyant, and you'll find yourself maneuvering with an almost magical ease through all of the Kingswood. That this is Micklem's first novel is nothing short of miraculous.
Teeming with imagery, and honestly told, Firethorn is an open and frank approach to fantasy storytelling. Compelling throughout. Firethorn will be the one people are still talking about at the next Science Fiction and Fantasy conventions.
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