CD Giveaway - 33Miles, "One Life"
Ends Aug 4, 2010
The country-pop sound established in their eponymous debut is a mainstay for this album as well, and even adds a little more southern flavor.
CD Giveaway - Phil Wickham, "Cannons"
Ends Aug 3, 2010
With an opening shot that hits the sonic pinnacle, this collection of spiritual Brit pop/rock is heavily influenced by Keane, Travis, Coldplay, and U2.
Official website
Rated PG-13
1 hour 51 min.
French with English subtitles
DVD Release: August 9, 2005
New on dvd this week is the French film "Look At Me" ("Comme une image"), which premiered at the Cannes Film Festival in 2004 and arrived in U.S. theaters in April 2005. It shows the intertwining lives of four characters with the attitude that the grass is always greener on the other side. The main character is Lolita (Marilou Berry), a college-aged girl who wants to become a classical singer. She's not bad to look at but weighs on the heavy side, and is fed up with her treatment of others because of her average appearance. When people do seem to want her company, it eventually turns out that they're just using her for access to her famous father, Étienne (Jean-Pierre Bacri, also the story's co-writer). This is made worse because even Étienne pays no attention to his daughter. She gives him a tape of herself singing and asks him to listen, but he never does and is dismissive of her dreams as just another fad. The only thing he does pay attention to are young pretty women, one of whom is his second wife Karine (Virginie Desarnauts), not much older than Lolita. When a young man, Sebastian, shows interest in Lolita, she nearly drives him away by projecting her insecurities onto his motives.
Self-concerned Étienne (Jean-Pierre Bacri) is too busy to notice his daughter Lolita (Marilou Berry).
Étienne's major preoccupation is with himself and his career. Up to now, he's succeeded as an important writer. One of his books has just been adapted into an anticipated movie. He receives congratulations from fans and colleagues but shoos them away (contemptuously, as he treats most anyone he encounters). He's not satisfied with the movie adaptation, and more concerning is his current writer's block. He's feeling as if the well is dry, and his advancing age is draining his creative abilities.
Meanwhile, Lolita's singing teacher, Sylvia (Agnès Jaoui, also the film's director and co-writer), is just about ready to limit her work with Lolita when Sylvia finds out that Lolita's father is her favorite author. She seeks to use this fact to get close to Étienne and to encourage her husband Pierre (Laurent Grévill). Pierre is a writer whose career is just starting to take off. However, he is full of doubt about the quality of his own writing and the prospects for his own career despite the praise and attention he's beginning to receive.
Sylvia (Agnès Jaoui) trains Lolita (Marilou Berry) in opera.
I wasn't particularly taken by this movie on first viewing, other than to note that the actors are perfectly natural in their roles. The characters may be too realistic to catch the attention of this American viewer. The story's end doesn't put it much further than where it started. And though this movie may be classified as a comedy, the humor is very slight. It may be that connoisseurs of foreign films with a continental tone may find the movie more interesting than I did. "Look at Me" is the seventh feature film collaboration between spouses Jaoui and Bacri. Together they won the Cannes Film Festival award for Best Screenplay for "Look at Me" in 2004. They've both won France's César Awards for acting and writing in past works.
SPECIAL FEATURES
The film is in French language with the choice of English or Spanish subtitles. Standard scene selection is available, and there are two Previews: for World War II comedy-drama "Bon Voyage" (which I found irritating at best) and the animated comedy "The Triplets of Belleville," which was nominated for Oscars in Best Song and Best Animated Feature. Both titles are currently available on dvd.
There are two Special Features on the disk: The Making of Look at Me, and Deleted Scenes. There are eight deleted scenes, most of which are really extended scenes and don't add much to the movie. The Making of Look at Me actually gave me a better appreciation for the characters. It is an hour long view in segments of the production. We see how Marilou Berry's singing is dubbed, actually performed by Alexandra Rubner on set and mouthed to match. And director Agnès Jaoui frequently acts out scenes for her actors to show them the subtext she wants.