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ARTICLE
Comic Book Review: Who Wants to Be a Superhero? #1 (Feedback)
by Paul Schultz Published: July 26, 2007
The SciFi Channel is set to premiere season two of Who Wants to Be a
Superhero?, the reality show that challenges average citizens
dressed in tights in competition to become "America's Next Great Superhero." The winner gets a one-shot comic book featuring their character, written by the legendary Stan Lee. Last year's conquering hero was Matthew Atherton as Feedback, and just in time for the new show Dark Horse Comics presents the long-awaited debut of the electrifying new paladin.
Whereas the television series was naturally wacky with an off-kilter charm, the character's origin as presented here takes a more sober tone. Our first introduction to Matt is on the ground, in darkness, in the pouring rain, and near death. How he came to be in this predicament is chronicled in a series of flashback narrated by the protagonist. His father's death early
in life leads to escape into the world of comic books and superhero exploits.
Eventually he outgrows them, rationalizing it in one of the many episodes where he talks to himself, "It's time to stop daydreaming about super powers. Those things don't happen in real life."
He opens a repair shop, fixing anything and everything electronic. One
particular service call turns ugly, when in the midst of repairing a video game,
he's challenged by a punk and his gang to top his best score. A mysterious
stranger named Ironside observes the ensuing brawl and recruits him to check over a military vehicle (that looks like a cross between Kitt and the
Batmobile), ostensibly to be used to combat a terrorist infiltrating the United States. Before this, however, his physical altercation lands him in the local hospital, where he is tended to by one hot-looking blonde nurse. To appreciate how compressed the storyline is, consider the conversation in this one panel that leads to a relationship between the two:
Matt: I'm Matt. Nurse: My computer's on the blink, I thought maybe... Matt: I'd be glad to help. Nurse: Great! Here's my phone number --
Yeah... I wish it was that easy. The nurse is Sarah Blevins which, not
coincidentally, is the name of Atherton's wife who also happens to be the
co-creator of the Feedback character. I think you know how this fling will
end up.
"Game on!": Feedback invents his catchphrase and experiments
with his new powers as he tussles with the Eliminator's stooges.
Meanwhile, Matt is duped into lending his technical expertise to
Ironside, who in actuality is the Eliminator -- the very terrorist he claims to
be combating. The result of this discovery doesn't go well for Matt, who
sustains a vicious beating that lays him flat and brings us full circle to the
opening scene. Before they can finish him off, a massive lightning bolt
strikes him. Instead of killing him, Matt finds himself transformed. He talks to himself again to let us all in on his new-found abilities: "Instead of killing me, the lightning gave me power! I'm like a walking storehouse of electronic energy!"
Of course, a superhero needs a costume and, after giving
himself the name of Feedback, Matt enlists nurse Sarah to sew a costume for him, in exchange for his computer services. Now, if that isn't a red flag in a budding relationship, I don't know what is. Feedback grows into his role
of superhero, including a reprise of the "little girl lost" scenario from the
first episode of the show, which I thought was a nice touch. He's headed
for a showdown with the Eliminator and his cast of goons, determined to stop the villain and the mechanical menace he helped to perfect.
This is a classic origin story, told in a compact 22 pages. Although the cover proclaims "40 pages!" it's not all dedicated to the winning character. The book is filled out with the mock covers of each character featured on the show as they were unveiled in one of the episodes (and, judging by this artwork, I'm really sorry Cell Phone Girl didn't win). Included under each "Premiere Issue" is text identifying the character's secret identify, super powers, vulnerability, catch phrase, and what they're fighting for. It's a nice inclusion, though at the expense of fleshing out Feedback's story a bit.
Will Conrad's illustrations bring a certain style to the story that augments the more serious tenor of the tale. In the midst of the story, colorist Michael S. Bartolo makes Sarah's eyes go from blue to brown, but otherwise his shading is sinister and sappy, where appropriate. It's by no means a masterpiece, but Lee and company have created an adequate beginning -- not to mention a fanboy's dream -- for Feedback. This should sufficiently entice the current batch of contenders to
shoot for the same goal -- to see their likeness in print. For fans of the
world created for Feedback, the concluding panel leaves the promise of more, if this release proves popular: The End (for now).